Caroline Godwin · Discipline 07

Choreography
& Act Creation

Every act on this site was built from nothing — apparatus, music, costume, choreography. Caroline does that work for other performers, producers and brands too: an original act, designed around the room it has to live in and the body that has to perform it.

AerialFireLED & GlowStilt WalkingHoop & FlowGreetingChoreographyRentalsWorkshopsModeling

What's in the Set

The Choreography & Act Creation Repertoire

01

Original Act Creation

A complete act built end to end for a single performer — concept, apparatus choice, music edit, choreography and costume design, delivered as a finished, performable piece.

02

Aerial Choreography

Sequencing for lyra, hammock, sling, chains, sphere, heart and the pentagram — built to the performer's actual strength and range, not to a template.

03

Fire & Flow Choreography

Hoop, fans, staff, poi and rope dart routines, including the transitions between props that most self-taught routines fall apart on.

04

Cast & Group Choreography

Duets, trios and full casts — staging, spacing, entrances and exits for multiple bodies in one space.

05

Show Direction & Running Order

For producers: shaping a bill so the night builds instead of flattening — running order, pacing, changeovers and how each act hands off to the next.

06

Music Editing & Cueing

Track edits, cut points and choreography written to specific hits — logo reveals, ceremony moments, drops.

07

Themed & Branded Numbers

An act written to a theme, a brand palette or a campaign concept rather than adapted from an existing routine.

08

Remote Act Design

Concept, apparatus selection, music edit and choreography notes delivered remotely, with video review rounds — no travel required.

See It Live

Watch the Choreography & Act Creation Work

Catch Your Breath video
Catch Your Breath
Showreel video
Showreel

More performances on YouTube →

Where & How It Happens

Booking Choreography & Act Creation

For individual performers

Working performers who need a signature act, or students moving from class material to something that is genuinely theirs. Often paired with private coaching.

For producers & shows

Revues, residencies, festival stages and one-off galas that need original content rather than a booking of existing acts.

For brands & agencies

A performance written around a product, a launch moment or a campaign idea.

For weddings & ceremonies

Choreography timed to a specific moment — a vow, a first dance, an exit — rather than a set dropped into the evening.

Remote

Act design, apparatus consultation and choreography can be run entirely over video.

What the venue needs to provide

Figures tagged Caroline to confirm are drafted from standard industry practice and still need to be checked against her actual equipment before this page goes to a client.

Lead time
Roughly 6–10 weeks for a full original act; shorter for choreography on existing material Caroline to confirm
Process
Concept call, apparatus and music selection, choreography build, then review rounds before hand-off
Sessions
A full act is typically built across 6–10 sessions, in person or over video Caroline to confirm
Rehearsal space
Studio time with the correct apparatus and crash mats — supplied by the client or arranged in Las Vegas
Video review
Remote work needs clean, full-body video of every run for notes to be useful
Costume
Costume design and build can be included in a commission and adds to the lead time Caroline to confirm
Rights
The finished act belongs to the performer or producer who commissioned it; Caroline retains the right to show the work in her portfolio

Everything Else She Does

The Other Disciplines

Ready to Book?

Ignite the
Extraordinary

For choreography & act creation performances, private events, workshops and collaborations — inquiries receive a response within 24 hours.

info@hw-talent.com

Based in Las Vegas · Available Nationwide

Get in Touch